gallery/barry driver3

Barry Driver Art

gallery/barry driver2b

I am an emotionally-inspired abstract artist based in Nelson, New Zealand

 

See below for details on all aspects of my art practice and history

For the latest news on all my art happenings, please follow me on Facebook

 

Ph: +64 (0)21 022 42429

baz.driver@yahoo.co.nz

www.facebook.com/Barry.Driver.Artist

 

Outlook

I consider myself a hobby artist because I'm certainly not in it for profit. I paint simply because I love to paint and I offer my work for sale simply to help cover the costs of painting more - plus I love it when other people love my work too.

 

Statement

For me, art has no meaning without an observer. The art in a painting is not, therefore, in the skills or techniques employed, but in what they capture and how it affects people. For a person to love a painting, it needs to offer a spark to their imagination and be open to their own interpretation, thereby allowing it to become part of them.

 

Links/Achievements

2007 - Joined Art Group Nelson

2010 - Gained membership of Nelson Suter Art Society

2011 - First accepted into Auckland's Original Art Sale

2011 - Joined Nelson's Wall To Wall Art (formally Art@203) Collective Gallery

2013 - First accepted into Wellington's New Zealand Art Show

2013 - First accepted into Art Expo Nelson

2014 - Gained representation at ICON Gallery in Upper Moutere (since closed)

2017 - First accepted into the Christchurch Art Show

2017 - Gained representation at Tait Gallery in Hanmer Springs

 

Solo Exhibitions

2012 - ART@203 - "Boys Don't Cry"

2013 - ART@203 - "That's Me In The Corner"

2014 - ART@203 - "Jump Into The Sun"

2015 - ART@203 - "A Drop In The Ocean / A Diamond In The Sand"

2016 - ART@203 - "Where Trees Play"

2017 - ART@203 - "Open Heart"

2018 - ART@203 - "Hot Cakes"

2019 - Wall To Wall Art - "Alien Artworks From A Distant Galaxy"

 

Practice

My current favoured technique is to apply acrylic paint to glossy photo paper with an old credit card or something similar. I choose such tools over brushes because I find they allow greater freedom of expression. I work quickly in order to achieve a variety of mixing, scraping and layering effects while the paint is still partially wet. I typically start at A1 size, but I often crop to a smaller size to achieve a result I'm happy with. In the past, my default was to frame work behind glass, but I'm now experimenting with mounting it on board under a coat of resin. I also offer limited edition (to 15) prints of selected works.

 

Pricing

I haven't included prices on this site, but my largest framed/mounted works are typically around NZ$1000, while my smallest A6 sized works are only NZ$5 in the form of original artwork cards.